CAJ | 학술논문

明代小说家冯梦龙在《警世通言》卷九《李谪仙醉草吓蛮书》一文中,用通俗小说的手法将唐代大诗人李白的形象刻画得栩栩如生。与正史记载严谨简约的笔法不同,冯梦龙更多采用＂因文生事＂的笔法,用亦真亦幻的笔墨来塑造李白。其文结合众多传说故事,写实的成分居少,想象、夸张的成分居多,将李白的人生经历展示得淋漓尽致,使广大读者对李白有了另一种解读。而像冯梦龙这样的晚明士人,在精神气质及科举仕途上也多少与李白有某些相通之处：既追求精神超越的愉悦,也追求世俗的物质享受;既狂狷、旷达,又善于＂玩味＂生活。因此在创作这篇小说时,他便以一种＂借他人之酒杯,浇自己心中之块垒＂的创作心理来塑造李白形象。
명대소설가풍몽룡재《경세통언》권구《리적선취초하만서》일문중,용통속소설적수법장당대대시인리백적형상각화득허허여생。여정사기재엄근간약적필법불동,풍몽룡경다채용＂인문생사＂적필법,용역진역환적필묵래소조리백。기문결합음다전설고사,사실적성분거소,상상、과장적성분거다,장리백적인생경력전시득림리진치,사엄대독자대리백유료령일충해독。이상풍몽룡저양적만명사인,재정신기질급과거사도상야다소여리백유모사상통지처：기추구정신초월적유열,야추구세속적물질향수;기광견、광체,우선우＂완미＂생활。인차재창작저편소설시,타편이일충＂차타인지주배,요자기심중지괴루＂적창작심리래소조리백형상。
Fen Menglong,a novelist in the Ming Dynasty,uses a popular style to portray the characteristics of Li Bai,better known as Li Po in the West,who was a great poet in the Tang Dynasty in his Jin Shi Tong Yan or Stories to Warn the World.Different from the rigorous and simple style inShi Ji or Records of the Grand Historian,Feng Menglong generally adopts a creative literary style,portraying Li Bai＇s image based both on the real and imaginary affairs.Li the Drunken Immortal from Heaven＇s Reply to the Foreign Envoy deals with the multitudinous legendary stories with more imagination and exaggeration than facts,vividly depicting Li Bai＇s quick wit,independent character,uninhibited personality,unyielding spirits,overwhelming addiction to wine and unlucky life experiences,which present the readers another interpretation to Li Bai＇s image.Some people,like Feng Menglong in late Ming Dynasty,have encountered similar experiences as Li Bai in spirit and the imperial official world.They are not only pursuing spiritual pleasures,but also pursuing materialistic pleasures.They are not only enjoying a free,unrestrained,natural,and broad-minded life,but also good at ＂savoring＂ life.Therefore,in the process of writing this story he created Li Bai＇s image in a way of ＂using others＇ golden goblet to express his own in-depth wishes＂.