CAJ | 학술논문

元代众多的杂剧作品中,无论其作品反应的内容如何,情节如何的曲折,大多都以团圆的结局收场。形形色色的团圆结局形成了元杂剧中亦悲亦喜、悲喜交融、苦尽甘来的特有的构戏方式。这种文学现象的形成和那个特定环境时代不但有着千丝万缕的联系,而且在一定程度上也映射出我国传统民族文化的蕴涵。
원대음다적잡극작품중,무론기작품반응적내용여하,정절여하적곡절,대다도이단원적결국수장。형형색색적단원결국형성료원잡극중역비역희、비희교융、고진감래적특유적구희방식。저충문학현상적형성화나개특정배경시대불단유착천사만루적련계,이차재일정정도상야영사출아국전통민족문화적온함。
Many dramas of Yuan Dynasty,no matter what contents they reflect,no matter how their plots twists and turns,end with happy endings.All kinds of happy endings form a unique configuration of Yuan dramas characterized by a feeling of tragicomedy and sweet after sweat.The formation of this literary phenomenon is not only inextricably linked to the particular environment but also maps out the implication of our traditional culture.