CAJ | 학술논문

明本元杂剧剧本较之《元刊杂剧三十种》有很大的不同。造成这种不同的原因之一是明代人对元代人的杂剧剧本进行了改动,所以明本元杂剧剧本中有些地方呈现出明代独有的戏曲特点,归纳起来,主要有两方面：一是丑角角色的新增以及其他人物说白的戏谑化;二是情节改动后呈现出大团圆结局的强化。这两个特点的形成与明代地域文化与政治专制统治的加强有关联,因此在研究明本元杂剧时,要注意认清明本元杂剧中的明代戏曲特点,而不能将其看成是元杂剧的本来面貌。
명본원잡극극본교지《원간잡극삼십충》유흔대적불동。조성저충불동적원인지일시명대인대원대인적잡극극본진행료개동,소이명본원잡극극본중유사지방정현출명대독유적희곡특점,귀납기래,주요유량방면：일시축각각색적신증이급기타인물설백적희학화;이시정절개동후정현출대단원결국적강화。저량개특점적형성여명대지역문화여정치전제통치적가강유관련,인차재연구명본원잡극시,요주의인청명본원잡극중적명대희곡특점,이불능장기간성시원잡극적본래면모。
Yuan zaju＇s Editions of the Ming Dynasty are very different from Thirty Kinds of Plays of the Yuan Dynasty,because of the adaptation of Yuan zaju in the Ming Dynasty.The differences reflect the characteristics of the opera in the Ming Dynasty,mainly including two faces： the banter of added clowns and others＇ dialogues,and the happy reunion ending strengthened by altering plot,which were formed under the circumstances of regional culture and political rule in the Ming Dynasty.So we should recognize the characteristics of the Ming Dynasty opera in Yuan zaju＇s Editions of the Ming Dynasty and don＇t regard it as the original Yuan zaju＇s feature when we research Yuan zaju＇s Editions of the Ming Dynasty.