铜陵学院学报
銅陵學院學報
동릉학원학보
JOURNAL OF TONGLING COLLEGE
2011年
4期
92-93,121
,共3页
闺阁绘画%男性话语%明清文化%女性艺术
閨閣繪畫%男性話語%明清文化%女性藝術
규각회화%남성화어%명청문화%녀성예술
boudoir painting%male discourse%Ming and Qing Culture%female arts
作为一个女性绘画的潮流,明清闺阁绘画群体性特征在我国历史中绝无仅有,对于我们重新解读中国古代绘画史具有不可或缺的价值。文章从明清时期的闺阁画家入手,探析明清闺阁绘画产生的原因、风格和艺术特点,讨论这些女性绘画之于中国绘画史及女性艺术史的价值与局限性。
作為一箇女性繪畫的潮流,明清閨閣繪畫群體性特徵在我國歷史中絕無僅有,對于我們重新解讀中國古代繪畫史具有不可或缺的價值。文章從明清時期的閨閣畫傢入手,探析明清閨閣繪畫產生的原因、風格和藝術特點,討論這些女性繪畫之于中國繪畫史及女性藝術史的價值與跼限性。
작위일개녀성회화적조류,명청규각회화군체성특정재아국역사중절무부유,대우아문중신해독중국고대회화사구유불가혹결적개치。문장종명청시기적규각화가입수,탐석명청규각회화산생적원인、풍격화예술특점,토론저사녀성회화지우중국회화사급녀성예술사적개치여국한성。
As a woman painting trends,population characteristics of the Ming and Qing boudoir painting in unique in our history,our re-interpretation of the history of ancient Chinese painting has an indispensable value.This artist from the Ming and Qing Dynasties Boudoir start,focus on Analysis of the causes of the Ming and Qing paintings boudoir,style and artistic characteristics,the discussion of these women paintings of women in the history of Chinese painting and art history value and limitations.