CAJ | 학술논문

中国少儿电视剧是中国电视业的产物,在其诞生之初即受到党和政府的高度重视,承担起教育少年儿童的重要作用。早期的中国少儿电视剧创作很丰富,但与之相关的理论批评却相对滞后,在整个20世纪60-70年代均未出现。1978年中国改革开放之后,中国电视业再一次焕发出勃勃生机,中国少儿电视剧创作迎来了第二个创作高潮期,同时,中国少儿电视剧理论批评也伴随着创作开始出现,因此中国少儿电视剧理论批评史的出发点要设置在80年代之后。
중국소인전시극시중국전시업적산물,재기탄생지초즉수도당화정부적고도중시,승담기교육소년인동적중요작용。조기적중국소인전시극창작흔봉부,단여지상관적이론비평각상대체후,재정개20세기60-70년대균미출현。1978년중국개혁개방지후,중국전시업재일차환발출발발생궤,중국소인전시극창작영래료제이개창작고조기,동시,중국소인전시극이론비평야반수착창작개시출현,인차중국소인전시극이론비평사적출발점요설치재80년대지후。
China Children＇s play is a product of China＇s TV industry,which in the beginning of its birth by the party and government attaches great importance to assume an important role in education of children.Early Chinese writing is very rich in children＇s TV play,but the associated theory of criticism is relatively slow,in 1960＇ and 1970＇ there were no theory and criticism,in 1978,after China＇s reform and opening up,China＇s TV industry once again full of vitality,China children＇s TV play creation ushered in the height of the second creation,at the same time,the history of Chinese children＇s play theory,criticism also began to appear along with creation.Therefore,History of Chinese children＇s TV play critical theory starting point after 1980＇.