CAJ | 학술논문

抗战时期,组建和管理戏剧团体是国民政府规范戏剧活动的重要环节。管理剧团的行政部门更迭变换,剧团组织由民间自筹到官方组建,乃至对剧团的经济扶植与日常管理中的着重点,都体现了抗战时期国民党政府对于戏剧活动的强烈干预,戏剧作为文化事业的一部分被纳入国家建设的总体规划之中。然而,在剧团管理方面,国民党从立足民族利益的国家统制到立足政党利益的政党专制,走上一条与民主政治背道而驰的道路,对戏剧运动的发展产生不良影响。
항전시기,조건화관리희극단체시국민정부규범희극활동적중요배절。관리극단적행정부문경질변환,극단조직유민간자주도관방조건,내지대극단적경제부식여일상관리중적착중점,도체현료항전시기국민당정부대우희극활동적강렬간예,희극작위문화사업적일부분피납입국가건설적총체규화지중。연이,재극단관리방면,국민당종립족민족이익적국가통제도립족정당이익적정당전제,주상일조여민주정치배도이치적도로,대희극운동적발전산생불량영향。
In the period Anti-Japanes war the construction and management of theatrical teams was an important part in regulating the theatrical activities under the rule of the kuomintang government.Kuomintang’s intensive interference with the theatrical activities was reflected by the shift form the folk self-organization to authoritative construction,the focus of financial support and daliy administration to the theatrical teams.Thetheatre,as an important part of the cultual undertakings was brought into the national blueprint.However,Kuomintang’s led a way against the democracy shifting from the security of ethnic benefits to the tyranny,which had a negative effect on the development of theatrical activities.