CAJ | 학술논문

本文将在民间传说研究、活页乐谱与商业唱片、爵士时期美学和左派政治等多个语境中研究兰斯顿·休斯的作品,探讨布鲁士在美国文学中的兴起.当然,使用方言写诗并非休斯首创,在他之前,詹姆斯·莱利和马克·吐温等现实主义的和具有地方色彩的作家丹尼尔·戴维斯和詹姆斯·坎贝尔等西南部幽默作家、尤其是保罗·劳伦斯·邓巴(休斯还呼应了邓巴的音乐性)等人的重要作品都采用了方言写作.而霍华德·W·奥德姆、盖依·B·约翰逊、盖茨·托马斯、多萝茜·斯嘉波罗、普莱斯柯·韦伯等作家为进行民间传说研究而开始搜集布鲁士音乐,安东尼奥·马乔、哈特·万德、W·C·罕迪等人将布鲁士以活页音乐表现出来,这些情况的出现促成了一种新的兴趣在知识界和大众文化圈形成,正是这种新的兴趣才使得休斯运用布鲁士和爵士乐进行的诗歌实验能够被接受.本文拟在这一语境下,结合詹姆斯·韦尔登·约翰逊和艾伦·洛克的批评和诗歌、卡尔·桑德堡的<美国歌囊>、霍华德·奥德姆的"黑色尤利西斯"小说、斯特林·布朗的以方言、布鲁士和爵士乐为基础的诗歌实验、期刊<布鲁士:新节奏杂志>、以及20年代和30年代促进非洲裔美国民间音乐步入人民阵线前台的左翼民歌运动政治外观、走进"咖啡馆协会"等晚餐俱乐部、"从灵歌到摇摆舞"音乐会以及美国主流音乐的文学和文化现象,探讨兰斯顿·休斯的独特贡献和重要作用.
본문장재민간전설연구、활혈악보여상업창편、작사시기미학화좌파정치등다개어경중연구란사돈·휴사적작품,탐토포로사재미국문학중적흥기.당연,사용방언사시병비휴사수창,재타지전,첨모사·래리화마극·토온등현실주의적화구유지방색채적작가단니이·대유사화첨모사·감패이등서남부유묵작가、우기시보라·로륜사·산파(휴사환호응료산파적음악성)등인적중요작품도채용료방언사작.이곽화덕·W·오덕모、개의·B·약한손、개자·탁마사、다라천·사가파라、보래사가·위백등작가위진행민간전설연구이개시수집포로사음악,안동니오·마교、합특·만덕、W·C·한적등인장포로사이활혈음악표현출래,저사정황적출현촉성료일충신적흥취재지식계화대음문화권형성,정시저충신적흥취재사득휴사운용포로사화작사악진행적시가실험능구피접수.본문의재저일어경하,결합첨모사·위이등·약한손화애륜·락극적비평화시가、잡이·상덕보적<미국가낭>、곽화덕·오덕모적"흑색우리서사"소설、사특림·포랑적이방언、포로사화작사악위기출적시가실험、기간<포로사:신절주잡지>、이급20년대화30년대촉진비주예미국민간음악보입인민진선전태적좌익민가운동정치외관、주진"가배관협회"등만찬구악부、"종령가도요파무"음악회이급미국주류음악적문학화문화현상,탐토란사돈·휴사적독특공헌화중요작용.
This paper will discuss the emergence of the blues into American literature,focusing on Langston Hughes's work in the context of folklore studies,sheet music and commercial recordings,Jazz Age aesthetics,and Leftist politics.Hughes's use of dialect in his poetry,of course,was preceded by the important work of realist and local color writers such as James Whitcomb Riley,Mark Twain,Southwestern humorists,Daniel Webster Davis,James Edwin Campbell,and especially Paul Laurence Dunbar (whose musicality Hughes also echoed).The emergence of collections of blues in American folklore studies by such authors as Howard W.Odum,Guy B.Johnson,Gates Thomas,Dorothy Scarborough,Prescott Webb and others,as well as the emergence of blues on sheet music by Antonio Maggio,Hart Wand and W.C.Handy,assisted in creating an interest in intellectual and popular culture circles that helped make it possible for Hughes to have his poetic experiments with blues and jazz be acceptable,at least to some audiences.Hughes's distinctive contributions and importance will be examined in this context,as well as in the criticism and poetry of James Weldon Johnson and Alain Locke,the American Songbag of Carl Sandburg,the "Black Ulysses" novels of Howard W.Odum,Sterling Brown's experiments with dialect and blues and jazz materials,the journal Blues:A Magazine of New Rhythms,and the leftist folk song movement of the 1920s and 1930s that helped usher African American folk music into the Popular Front scene,political appearances,supper clubs like the Café Society,the "From Spirituals to Swing" concerts,and mainstream American music.