忻州师范学院学报
忻州師範學院學報
흔주사범학원학보
JOURNAL OF XINZHOU TEACHERS UNIVERSITY
2011年
6期
18-21
,共4页
杨绛%喜剧%寄居者%人物形象
楊絳%喜劇%寄居者%人物形象
양강%희극%기거자%인물형상
Yang Jiang%comedy%who live parasitic life%the characters
杨绛的两部喜剧作品《称心如意》和《弄真成假》是中国现当代世态喜剧最典型的代表。杨绛在这两部剧本中塑造两个具有着鲜明个性的女性人物形象,同时她们有一个共同的特征,即她们都是借住在他人家中的“寄居者”。杨绛通过剧本中塑造出的“寄居者”人物形象来反映当时40年代沦陷区上海这个大都市既传统又现代的世态风貌,在揭露当时处处金钱的社会现状的同时,传达出在不如意的生存状态下乐观向上的可贵精神。她以独特的创作风格推动中国现当代世态喜剧的发展,在中国现当代文学史上占有一席之地。
楊絳的兩部喜劇作品《稱心如意》和《弄真成假》是中國現噹代世態喜劇最典型的代錶。楊絳在這兩部劇本中塑造兩箇具有著鮮明箇性的女性人物形象,同時她們有一箇共同的特徵,即她們都是藉住在他人傢中的“寄居者”。楊絳通過劇本中塑造齣的“寄居者”人物形象來反映噹時40年代淪陷區上海這箇大都市既傳統又現代的世態風貌,在揭露噹時處處金錢的社會現狀的同時,傳達齣在不如意的生存狀態下樂觀嚮上的可貴精神。她以獨特的創作風格推動中國現噹代世態喜劇的髮展,在中國現噹代文學史上佔有一席之地。
양강적량부희극작품《칭심여의》화《롱진성가》시중국현당대세태희극최전형적대표。양강재저량부극본중소조량개구유착선명개성적녀성인물형상,동시저문유일개공동적특정,즉저문도시차주재타인가중적“기거자”。양강통과극본중소조출적“기거자”인물형상래반영당시40년대륜함구상해저개대도시기전통우현대적세태풍모,재게로당시처처금전적사회현상적동시,전체출재불여의적생존상태하악관향상적가귀정신。저이독특적창작풍격추동중국현당대세태희극적발전,재중국현당대문학사상점유일석지지。
The two comedies of "In accord with one's wishes" and "Pretense may become reality"created by Yangjang are reputed as the most typical representative of Chinese comedies which show the society in the contemporary and modern periods.In these two plays,Yangjang created two new women characters featured with bright personality and unique charms.They are Liqunyu in the "In accord with one's wishes",another is zhangyanhua in the "Pretense may become reality".The two characters have distinct personalities.Meanwhile,they also have a common feature that they are the people who all live parasitic life.Yangjiang reflected the modern city Shanghai in the 40th which was an enemy-occupied area possessed the social style which was not only modern but also traditional.The writer exposed the socity which was filled with the view that money was everything,and also expressed the precious spirit of optimism and hard working even under the circumstance of unsatisfied situation of living.She put forward the development of Chinese comedies which reflected the ways of the world in the contemporary and modern periods.Therefore;she gained her reputation in the contemporary and modern Chinese literary history.