廊坊师范学院学报:社会科学版
廊坊師範學院學報:社會科學版
랑방사범학원학보:사회과학판
Journal of Langfang Teachers College
2011年
6期
19-23
,共5页
福楼拜%自然主义%现代性
福樓拜%自然主義%現代性
복루배%자연주의%현대성
Flaubert%naturalism%modernity
在文艺思想倾向上,19世纪的法国作家福楼拜是个很复杂的个案,他是从现实主义过渡到自然主义的关键人物。因此,中外学界在论及福楼拜的文艺思想时,往往在自然主义和现实主义之间犹疑和徘徊。从福楼拜的文学活动、文学理念和作品本身进行考察,我们发现,福楼拜客观公正的艺术追求,一定的实证精神与对人物的多方面、多层次的认识和描写等,使他成为开启自然主义思想先河的小说家,他同自然主义有着千丝万缕的关联,其文艺思想与创作实践都明显呈现出自然主义的特征。自然主义作家和理论家左拉、莫泊桑等一致将他奉为老师,并把饱法利夫舳视为自然主义的开山之作。在法国乃至整个欧洲文学史上,福楼拜是一位从传统走向现代的作家。
在文藝思想傾嚮上,19世紀的法國作傢福樓拜是箇很複雜的箇案,他是從現實主義過渡到自然主義的關鍵人物。因此,中外學界在論及福樓拜的文藝思想時,往往在自然主義和現實主義之間猶疑和徘佪。從福樓拜的文學活動、文學理唸和作品本身進行攷察,我們髮現,福樓拜客觀公正的藝術追求,一定的實證精神與對人物的多方麵、多層次的認識和描寫等,使他成為開啟自然主義思想先河的小說傢,他同自然主義有著韆絲萬縷的關聯,其文藝思想與創作實踐都明顯呈現齣自然主義的特徵。自然主義作傢和理論傢左拉、莫泊桑等一緻將他奉為老師,併把飽法利伕舳視為自然主義的開山之作。在法國迺至整箇歐洲文學史上,福樓拜是一位從傳統走嚮現代的作傢。
재문예사상경향상,19세기적법국작가복루배시개흔복잡적개안,타시종현실주의과도도자연주의적관건인물。인차,중외학계재론급복루배적문예사상시,왕왕재자연주의화현실주의지간유의화배회。종복루배적문학활동、문학이념화작품본신진행고찰,아문발현,복루배객관공정적예술추구,일정적실증정신여대인물적다방면、다층차적인식화묘사등,사타성위개계자연주의사상선하적소설가,타동자연주의유착천사만루적관련,기문예사상여창작실천도명현정현출자연주의적특정。자연주의작가화이론가좌랍、막박상등일치장타봉위로사,병파포법리부축시위자연주의적개산지작。재법국내지정개구주문학사상,복루배시일위종전통주향현대적작가。
In literary theory, the 19th-century French writer Flaubert was a very complicated case, who is the key writer in the transition from realism to naturalism. Therefore, the Chinese and foreign scholars often hesitate between naturalism and realism in the discussion of Flaubert's literary ideas. From Flanbert's literary activities, ideas and works, we find that Flaubert becomes the first novelist that started naturalism because of his objective and impartial pursuit of art, demonstrative spirit and his multitude recognition and description of the character's various aspects. He had inextricable association with naturalism, and his literary ideas and creative practice are clearly showing naturalistic features. Naturalist writers and theorists, such as Zola, Maupassant, etc. regarded him as a teacher, and Madame Bovary as a starting point for naturalism. In French and even the European literary history, Flaubert is a writer from tradition to modern.