CAJ | 학술논문

加入WTO后，我国对外开放不断深入，多种音乐艺术表现形式纷纷走出国门，向世界展示我们的文化，特别是我国少数民族音乐在对外交流中起着重要的桥梁作用。随着各种音乐形式的引进和发展，人们的目光多集中在现代音乐的表现形式上，而忽略了传统的少数民族音乐艺术的表现形式，使少数民族音乐的保护和传承受到强烈的冲击，所以传承与保护少数民族音乐是音乐工作者的责任。
가입WTO후，아국대외개방불단심입，다충음악예술표현형식분분주출국문，향세계전시아문적문화，특별시아국소수민족음악재대외교류중기착중요적교량작용。수착각충음악형식적인진화발전，인문적목광다집중재현대음악적표현형식상，이홀략료전통적소수민족음악예술적표현형식，사소수민족음악적보호화전승수도강렬적충격，소이전승여보호소수민족음악시음악공작자적책임。
With China＇s entry into WTO and the deepening of the opening policy,some musical types began to enter into the view of foreign countries to show our culture. However, folk music of ethnic minorities functions as a bridge in the process of communication with foreign Countries. Owing to the introduction and development of musical forms, people shifted their focus onto modem music and ignored the folk music of ethnic minorities. Therefore , it is essential for musical professionals to succeed and protect folk music of ethnic minorities.