青年文学家
青年文學傢
청년문학가
THE YOUTH WRITERS
2009年
15期
34-35
,共2页
嵇康%声无哀乐%音乐%人%文学%自觉
嵇康%聲無哀樂%音樂%人%文學%自覺
혜강%성무애악%음악%인%문학%자각
Ji Kang%the nature of the music%music%human%literature%consciousness
中国的音乐理论早在周代礼乐文化形成之时就已建立,但传统的音乐理论注重音乐的社会性,往往忽视了个体性.魏晋时期的玄学兴起为新的理论提供了有利的环境,嵇康就在这个背景之下论述了音乐与个人的关系,其音乐美学的新观点体现了那个时期人的觉醒的现实,也从一个则面说明了"文的自觉"的时代背景.
中國的音樂理論早在週代禮樂文化形成之時就已建立,但傳統的音樂理論註重音樂的社會性,往往忽視瞭箇體性.魏晉時期的玄學興起為新的理論提供瞭有利的環境,嵇康就在這箇揹景之下論述瞭音樂與箇人的關繫,其音樂美學的新觀點體現瞭那箇時期人的覺醒的現實,也從一箇則麵說明瞭"文的自覺"的時代揹景.
중국적음악이론조재주대례악문화형성지시취이건립,단전통적음악이론주중음악적사회성,왕왕홀시료개체성.위진시기적현학흥기위신적이론제공료유리적배경,혜강취재저개배경지하논술료음악여개인적관계,기음악미학적신관점체현료나개시기인적각성적현실,야종일개칙면설명료"문적자각"적시대배경.
China's music theory was established as early as the the time of formation of etiquette and music culture in Zhou Dynasty. However, the traditional music theory focused on the sociality of the music and more often than not it overlooked its personal nature. The rise of metaphysics between Wei and Jin period provided a favorable environment for the new theory. It was under this circumstance that Ji Kang discussed the relation between music and man. His new theory on Music Aesthetics represented the reality of the awakening of the people at that time and from one side reflected the historical background of the "Consciousness of Art".
