CAJ | 학술논문

作为日本新感觉派的代表作家，川端康成以其独特的叙事手法，创作了大量的女性文学，塑造了一个又一个柔弱而又坚强、美丽而又悲哀的女性形象。文章以《雪国》、《古都》、《伊豆的舞女》等作品中的经典女性形象为代表，结合日本文学的美学传统，从自然关、女性美和死亡美等三个方面分析了川端女性作品中的唯关意识，并阐释了川端作品的叙事风格和关学意蕴。
작위일본신감각파적대표작가，천단강성이기독특적서사수법，창작료대량적녀성문학，소조료일개우일개유약이우견강、미려이우비애적녀성형상。문장이《설국》、《고도》、《이두적무녀》등작품중적경전녀성형상위대표，결합일본문학적미학전통，종자연관、녀성미화사망미등삼개방면분석료천단녀성작품중적유관의식，병천석료천단작품적서사풍격화관학의온。
Yasunari Kawabata, the Japanese representative of Neo Sensationalism, produced a lot of female liter- ature and created many female images, delicate but strong, beautiful but tragic. Taking for example the classic female images in Snow Country, Ancient Capital and The Dancing Girl of Izu, the three representative works by Kawabata, the article analyzes the aestheticism in these female works embodied in nature, females and death, which casts some light on the narrating style and aesthetic implication of his works.