CAJ | 학술논문

本文在肯定西方民族音乐学理论对中国音乐学研究的推动作用的同时,重点对西方民族音乐学的三个支柱性理论——文化价值相对论、文化中的音乐研究、局内人和局外人的划分——进行了反思和批判,指出不应把以上的西方民族音乐学理论作为放之四海而皆准的真理,中国学者应该有自己的视角,并逐渐建立民族音乐学的中国学派的观点。
본문재긍정서방민족음악학이론대중국음악학연구적추동작용적동시,중점대서방민족음악학적삼개지주성이론——문화개치상대론、문화중적음악연구、국내인화국외인적화분——진행료반사화비판,지출불응파이상적서방민족음악학이론작위방지사해이개준적진리,중국학자응해유자기적시각,병축점건립민족음악학적중국학파적관점。
Under the premise of approving the promoting role of Western ethnomusicology theory upon the Chinese musicology research,this paper focuses on the reflection and criticism for the three pillar theories of Western ethnomusicology： the relativity of cultural values,the music research in culture and the division between insiders and outsiders.This paper also points out that we should not regard the Western ethnomusicology theory as a universal truth,and that Chinese scholars should have their own perspective and gradually establish the Chinese school viewpoint of ethnomusicology.