CAJ | 학술논문

《游仙窟》是中国文学史上第一部真正意义上的爱情小说，《莺莺传》是唐传奇中最富盛名的爱情小说，这两部小说有许多相似之处。将《游仙窟》和《莺莺传》加以对照，不难发现，这两篇唐传奇中才子佳人形象、情节构成、感情模式以及表现手法的应用等方面都成为后世才子佳人小说创作的基本范式，从《游仙窟》的“纵欲”到《莺莺传》的“忍情”，文人性观念从开放转向内敛，这种转变也促使了后来的才子佳人小说的情爱关系由重“色”向重“情”转变。
《유선굴》시중국문학사상제일부진정의의상적애정소설，《앵앵전》시당전기중최부성명적애정소설，저량부소설유허다상사지처。장《유선굴》화《앵앵전》가이대조，불난발현，저량편당전기중재자가인형상、정절구성、감정모식이급표현수법적응용등방면도성위후세재자가인소설창작적기본범식，종《유선굴》적“종욕”도《앵앵전》적“인정”，문인성관념종개방전향내렴，저충전변야촉사료후래적재자가인소설적정애관계유중“색”향중“정”전변。
This novel Youxianku is regarded as the first love novel in Chinese Literature history, while the novel Biography of Yingying is the most well-known in the Tang dynasty. In fact there is much similarity in many aspects in these two novels. Through comparison, we can conclude that these two novels have become the basic paradigm for novels on gifted scholars and beauties afterwards in the image creation, plot construction, emotion model and the application of presentation approaches, etc. The transformation from indulging in sexual pleasures in Youxianku to holding back passion in Biography of Yingying reflects litterateurs＇ sex attitude from openness to reservation, which further leads to the change of love relationship in later novels of gifted scholars and beauties from being sex-oriented to affection-oriented.