CAJ | 학술논문

《活着》改变了余华的文坛地位，标志着余华完成了优秀作家所必须经历的思想升华，达成了对人生善一恶一无善无恶的认识。以1984年为开端，纵观余华的写作生涯，可以分为三个阶段：余华先领会善，再抒写恶，在充分了解恶的基础下温暖地描写人类的善意，这就是所谓见山终是山、见水终是水、山水都别有风景的意境。
《활착》개변료여화적문단지위，표지착여화완성료우수작가소필수경력적사상승화，체성료대인생선일악일무선무악적인식。이1984년위개단，종관여화적사작생애，가이분위삼개계단：여화선령회선，재서사악，재충분료해악적기출하온난지묘사인류적선의，저취시소위견산종시산、견수종시수、산수도별유풍경적의경。
Yu Hua＇s position in the literary circles is firmly established when his novel To Live came out, for the publication of the novel symbolizes his completion of the ideological sublimation which an excellent writer must experience. In the novel, Yu has reached his understanding towards man＇s life from good, to evil, and then to no good and no evil. Roughly, from the beginning of 1984, Yu＇s entire writing career can be divided into three stages. First, he comprehends the good in human＇s nature. Then, he reveals the evil. Finally, he depicts man＇s good on the basis of his adequate comprehension of man＇s evil. The process demonstrates the so-called artistic conception that the mountain is always the mountain whereas water is eventually water, and that each of them possesses a unique appeal.