CAJ | 학술논문

鲁迅的创作总是与他的生命状态联结在一起的,《呐喊》、《彷徨》、《野草》都是创作于作家生命中苦闷、孤独的时候。完成于鲁迅生命最后历程的《故事新编》必然与他晚年的心境有着密切的联系。而历时13年之久的创作历程也必然反映了鲁迅对某种创作道路的执著探索,这条道路是不同于《呐喊》、《彷徨》的一条新的创作道路。其整体风格庄严而又荒诞,突出体现了鲁迅观察人生世相的特殊眼光,不仅是鲁迅最后的创新之作,也是他借以突围生命困境的一种方式。
로신적창작총시여타적생명상태련결재일기적,《눌함》、《방황》、《야초》도시창작우작가생명중고민、고독적시후。완성우로신생명최후역정적《고사신편》필연여타만년적심경유착밀절적련계。이력시13년지구적창작역정야필연반영료로신대모충창작도로적집저탐색,저조도로시불동우《눌함》、《방황》적일조신적창작도로。기정체풍격장엄이우황탄,돌출체현료로신관찰인생세상적특수안광,불부시로신최후적창신지작,야시타차이돌위생명곤경적일충방식。
Lu Xun＇s writing is always connected with the state of his life,Scream,Anxious and Weeds are all created in the writer＇s depressed and lonely period.Old Tales Retold is written in his later years,the novel is inevitably closely linked with his state of mind.The novel＇s thirteen years＇ creation is bound to reflect a road Lu Xun dedicates to explore,and this path is different from the creation of the Scream and Anxious.The novel＇s overall style is solemn yet fantastic,highlighting Lu Xun＇s observation of life with a special perspective.The novel is not only Lu Xun＇s last innovation,but also his breaking through from life plight.