CAJ | 학술논문

钱钟书认为“史有诗心、文心”，这里的“诗心、文心”主要指涉的是文学的虚拟性。对此可以从其反复阐发的两个命题来理解：“诗可凿空”；“文词有虚而非伪，诚而不实者”。对文学虚拟性的强调，凸显出钱钟书对文学主体性的认识，一定程度上构成对二十世纪以来以实证主义为代表的主流文艺社会学理论的一种反驳。
전종서인위“사유시심、문심”，저리적“시심、문심”주요지섭적시문학적허의성。대차가이종기반복천발적량개명제래리해：“시가착공”；“문사유허이비위，성이불실자”。대문학허의성적강조，철현출전종서대문학주체성적인식，일정정도상구성대이십세기이래이실증주의위대표적주류문예사회학이론적일충반박。
Qian Zhongshu thinks that history has the characteristics of literature which means mainly virtuality in the text. It shows two aspects： first, poem is a fiction ; second, content is not true and emotion is sincere. The emphasis on literary virtuality highlights Qian Zhongshu＇s thought about the subjectivity of the literature, to a certain extent, which is a reaction to the mainstream sociology of literature and art that positivism is its common example since the 20th century.