南京航空航天大学学报：社会科学版
南京航空航天大學學報：社會科學版
남경항공항천대학학보：사회과학판
Journal of Nanjing University of Aeronautics ＆ Astronautics（Social Sciences）
2011年
2期
76-79
,共4页
戏曲%艺术特征%综合%虚拟%程式
戲麯%藝術特徵%綜閤%虛擬%程式
희곡%예술특정%종합%허의%정식
traditional Chinese opera%artistic features%comprehensive%virtual%stylized
戏曲艺术的基本特征的界定应该遵循个性与共性、特殊与普遍统一的辩证关系,现今通行的戏曲艺术特征：综合性、虚拟性、程式性的阐释缺乏这种辩证关系的考察,而且＂三性＂说也不再适应当代戏曲发展。戏曲艺术的基本特征应该重新审视。
戲麯藝術的基本特徵的界定應該遵循箇性與共性、特殊與普遍統一的辯證關繫,現今通行的戲麯藝術特徵：綜閤性、虛擬性、程式性的闡釋缺乏這種辯證關繫的攷察,而且＂三性＂說也不再適應噹代戲麯髮展。戲麯藝術的基本特徵應該重新審視。
희곡예술적기본특정적계정응해준순개성여공성、특수여보편통일적변증관계,현금통행적희곡예술특정：종합성、허의성、정식성적천석결핍저충변증관계적고찰,이차＂삼성＂설야불재괄응당대희곡발전。희곡예술적기본특정응해중신심시。
The definition of basic features of traditional Chinese opera should follow the dialectical relationships between uniqueness and commonality and specialty and generality. However, the current prevailing interpretation of artistic features of traditional Chinese opera, namely the characters of being comprehensive, virtual, and stylized, does not consider the dialectical relations and no longer meets the development of contemporary opera. The basic features of traditional Chinese opera should be re-examined.
