CAJ | 학술논문

“意象”和“意境”是中国古典美学的两个重要范畴。魏晋南北朝时期，刘勰在总结前人对“言”、“象”、“意”关系的哲学讨论和文学艺术创作实践的基础上，在《文心雕龙》中首次提出了具有美学意义上的“意象”观点。刘勰的“意象”观不仅丰富了前人“意象”理论的内涵，也开了魏晋南北朝讨论“意境”理论的先河，并为促进中国古典“意境”理论的发展做出了重要的贡献。
“의상”화“의경”시중국고전미학적량개중요범주。위진남북조시기，류협재총결전인대“언”、“상”、“의”관계적철학토론화문학예술창작실천적기출상，재《문심조룡》중수차제출료구유미학의의상적“의상”관점。류협적“의상”관불부봉부료전인“의상”이론적내함，야개료위진남북조토론“의경”이론적선하，병위촉진중국고전“의경”이론적발전주출료중요적공헌。
＇Image＇ and ＇artistic conception＇ are two important contain a profound aesthetic thought in the long history Of evolution. aspects of Chinese classical aesthetics, they During the periods of Wei Jin, Southern and Northern Dynasties, on the basis of the conclusion of philosophical discussion about the relationship among ＇speech＇, ＇image＇, ＇significance＇ about literary ＆ artistic creation practice of the predecessors, Liu Xie first proposed the ＇image＇ idea which contained aesthetic significance in Weo_xindiaolong~ Liu Xie＇s ＇image＇ view did not only enrich the predecessors＇ theoretical, connotation of ＇image＇, but also started a precedent of discussion about the ＇artistic conception＇ theory, and made an important contribution to the development of the Chinese classic ＇artistic conception＇ theory.