CAJ | 학술논문

　　18世纪末19世纪初，欧洲盛行一种抒情歌曲，通称艺术歌曲。而19世纪德奥浪漫主义作曲家舒伯特的艺术歌曲创作可以说达到了歌曲艺术的巅峰，在他短暂的一生中创作了包括各种体裁在内的大量优秀作品，使钢琴伴奏不再是歌声的附属品，加强伴奏声部在音乐形象上的独立性，特别是在对音乐形象的刻画、环境的描绘、以及用音乐语言进行人物与景物对话的诸多发面，都能发挥出有效的艺术表现作用。本文从舒伯特艺术歌曲中的几种钢琴伴奏类型出发，通过研究强调突出歌曲旋律部分、补充歌声旋律涵义、塑造歌曲的意境等内容，进一步的说明伴奏在艺术歌曲中的特殊地位和给予演唱者的重要作用。
　　18세기말19세기초，구주성행일충서정가곡，통칭예술가곡。이19세기덕오랑만주의작곡가서백특적예술가곡창작가이설체도료가곡예술적전봉，재타단잠적일생중창작료포괄각충체재재내적대량우수작품，사강금반주불재시가성적부속품，가강반주성부재음악형상상적독립성，특별시재대음악형상적각화、배경적묘회、이급용음악어언진행인물여경물대화적제다발면，도능발휘출유효적예술표현작용。본문종서백특예술가곡중적궤충강금반주류형출발，통과연구강조돌출가곡선률부분、보충가성선률함의、소조가곡적의경등내용，진일보적설명반주재예술가곡중적특수지위화급여연창자적중요작용。
At the end of eighteenth Century and early nineteenth Century, popular a lyric song in Europe, known as the art songs. In nineteenth Century, the romantic composer Schubert's art songs can be said to have reached the peak of art songs, he has created a lot of excellent works of various genres in his short life, the piano accompaniment is no longer the accessories of singing, strengthening the independence of the accompaniment sound in music image, especially portrayed in the music image, description of the environment, and the use of musical language characters and scenes of dialogue in many fields, can play effective role. This paper from the several types of Schubert's art song piano accompaniment, through the research to highlight the song melody, song melody part shape meaning, songs and other content, further illustrate the special status and the important role of accompaniment in artistic songs.