CAJ | 학술논문

随着电影技术的发展,灾难电影越来越频繁地进入人们的视野。它们以超强的震撼画面给人以视觉冲击力,带给人们灾难来临时的恐惧和无助感。而这种审美效果可以利用利奥塔的后现代＂崇高＂美学进行解释和分析。文章就将从利奥塔后现代＂崇高＂美学入手,分析灾难电影的美学特点及价值。
수착전영기술적발전,재난전영월래월빈번지진입인문적시야。타문이초강적진감화면급인이시각충격력,대급인문재난래림시적공구화무조감。이저충심미효과가이이용리오탑적후현대＂숭고＂미학진행해석화분석。문장취장종리오탑후현대＂숭고＂미학입수,분석재난전영적미학특점급개치。
With the development of film technology,disaster movies have already entered our life.They give us visual impressions by shocking pictures,make people feel terrified and hopeless just like the coming disaster.While the aesthetic effect caused by disaster movies can be explained and analyzed by Lyotard＇s theory.Starting with the Lyotard＇s post-sublime aesthetics,this paper analyzed the aethetics characteristics and values of the disaster movies.