苏州教育学院学报
囌州教育學院學報
소주교육학원학보
JOURNAL OF SUZHOU COLLEGE OF EDUCATION
2011年
3期
40-43
,共4页
白娘子形象%方成培%《雷峰塔》
白孃子形象%方成培%《雷峰塔》
백낭자형상%방성배%《뢰봉탑》
the representation of Madame White Snake%Fang Chengpei%Leifeng Pagoda
白娘子形象的塑造经历了三个发展阶段：蛇妖期形象、半人半兽期形象、美和爱的化身。方成培受到清中叶个性解放思想的激扬,在《雷峰塔》传奇中,把白娘子塑造成为一个美丽、坚贞、忠于爱情、有斗争精神和奉献精神的中国女性的典型、美和爱的化身,从而使白蛇传故事的主旨由宣扬色空观念、人妖不能共处转变为对追求爱情婚姻自由的歌颂,这是白蛇传故事发展的巅峰。白娘子形象的演变包含了广大人民的思想情感和审美情趣,同时也是社会对女性、对情欲的宽容度的反映。
白孃子形象的塑造經歷瞭三箇髮展階段：蛇妖期形象、半人半獸期形象、美和愛的化身。方成培受到清中葉箇性解放思想的激颺,在《雷峰塔》傳奇中,把白孃子塑造成為一箇美麗、堅貞、忠于愛情、有鬥爭精神和奉獻精神的中國女性的典型、美和愛的化身,從而使白蛇傳故事的主旨由宣颺色空觀唸、人妖不能共處轉變為對追求愛情婚姻自由的歌頌,這是白蛇傳故事髮展的巔峰。白孃子形象的縯變包含瞭廣大人民的思想情感和審美情趣,同時也是社會對女性、對情欲的寬容度的反映。
백낭자형상적소조경력료삼개발전계단：사요기형상、반인반수기형상、미화애적화신。방성배수도청중협개성해방사상적격양,재《뢰봉탑》전기중,파백낭자소조성위일개미려、견정、충우애정、유두쟁정신화봉헌정신적중국녀성적전형、미화애적화신,종이사백사전고사적주지유선양색공관념、인요불능공처전변위대추구애정혼인자유적가송,저시백사전고사발전적전봉。백낭자형상적연변포함료엄대인민적사상정감화심미정취,동시야시사회대녀성、대정욕적관용도적반영。
The representation of Madame White Snake consists of three stages,namely,the snake genie,the semi-human,and the incarnation of beauty and love.Influenced by the ideas about liberated individuality during the middle of Qing Dynasty,Fang Chengpei portrayed Madame White Snake in his Leifeng Pagoda as a typical Chinese woman,who is beautiful,faithful,and devoted to love,struggle and self-sacrifice.In the romance,Madame White Snake is the incarnation of beauty and love,which set Fang＇s story different from the past advocation of abstinence of sex and the impossibility of co-existence of man and monster,and develops the white-snake story to its summit by making an ode to the pursuit of free love and marriage.The changed representation of Madame White Snake reveals the social tolerance of women and eros,as well as embodies the tastes,thoughts and feelings of the general public.
