CAJ | 학술논문

沈从文常自称“乡下人”，在他的文学创作中，他一方面通过自己的民间话语描述“他者”“乡下人”的生存状况，另一方面，又着力立足于历史文化的角度，把同一文化体系中不同文化层面上的中国城乡文明加以对照和比较，通过传达一种对比性的深刻体验和高度抽象性的文本实验中主体性的失落而试图在揭示出人生悲剧的结构之下，映象出民间话语与知识权力的媾和。
침종문상자칭“향하인”，재타적문학창작중，타일방면통과자기적민간화어묘술“타자”“향하인”적생존상황，령일방면，우착력립족우역사문화적각도，파동일문화체계중불동문화층면상적중국성향문명가이대조화비교，통과전체일충대비성적심각체험화고도추상성적문본실험중주체성적실락이시도재게시출인생비극적결구지하，영상출민간화어여지식권력적구화。
Naming himself a country folk, Shen Congwen used to describe the living conditions of ＂other people＂ and ＂the country folks＂. Besides, he compared unban civilization and rural civilization in China, which were in the same culture but in different cultural systems, from the perspective of historical culture. He illustrated a combination of fold discourse and intellectual power through a comparative experience. This paper attempts to discuss about the building of aesthetic Utopia in Shen Congwen＇s works from the perspectives of power, sex and discourse.