CAJ | 학술논문

《潜鸟》是加拿大女作家玛格丽特劳伦斯的代表作之一，小说从“我”——个白人女孩的视角入手描写了梅蒂族女孩皮格特的悲剧人生。作者将借用弗兰茨·奥玛尔·法侬在他的论著《黑皮肤白面具》中的观点来分析梅蒂族女孩皮格特是如何在心理上确立了一种与白种人之间殖民与被殖民的关系，使她从心理上认同并从属于一种普适化了的白人的标准，扭曲了她的心灵和意识，最终导致了她的悲惨结局
《잠조》시가나대녀작가마격려특로륜사적대표작지일，소설종“아”——개백인녀해적시각입수묘사료매체족녀해피격특적비극인생。작자장차용불란자·오마이·법농재타적론저《흑피부백면구》중적관점래분석매체족녀해피격특시여하재심리상학립료일충여백충인지간식민여피식민적관계，사저종심리상인동병종속우일충보괄화료적백인적표준，뉴곡료저적심령화의식，최종도치료저적비참결국
The Loons is one of the masterpieces of Canadian female writer Margret Laurence. In this story Margret describes the tragic life of the Metis girl, Piquette from ＂I＂ --a white girl＇s perspective. This essay uses Frantz Omar Fanon＇ s theory of Black Skin, White Masks, to analyze how Piquette establishes a kind of colonial relation with the white in her mind, so that she is subject to the universal standard of white people and identify with it which twisted her mind and consciousness, and ultimately led to her tragic end.