CAJ | 학술논문

从文艺作品中个体化的红嫂形象到红嫂的群体化再现，“红嫂”已经成为沂蒙老区经典的红色文化符号。通过关注几十年来有关“红嫂”的各类文本生产，从中可解读红嫂文化与红嫂精神的生产机制、传播模式，解读红嫂文化的生产与时代语境之间的内在关联，还原红嫂群体形象的历史本真。红嫂文本的生产塑造了“红嫂”这一传承不朽的红色艺术经典，革命时代红嫂文本的革命化塑造了英雄化的红嫂；后革命时代的红嫂文本则突出平民化、人性化视角，从平民视角、日常生活角度展现战争背后普通沂蒙女性的真爱与唯美。红嫂文本的生产与传播离不开特定时代文化语境的制约，二者之间的张力及其维度决定了文本生产的机制和模式，以及文本的最终价值与意义。
종문예작품중개체화적홍수형상도홍수적군체화재현，“홍수”이경성위기몽로구경전적홍색문화부호。통과관주궤십년래유관“홍수”적각류문본생산，종중가해독홍수문화여홍수정신적생산궤제、전파모식，해독홍수문화적생산여시대어경지간적내재관련，환원홍수군체형상적역사본진。홍수문본적생산소조료“홍수”저일전승불후적홍색예술경전，혁명시대홍수문본적혁명화소조료영웅화적홍수；후혁명시대적홍수문본칙돌출평민화、인성화시각，종평민시각、일상생활각도전현전쟁배후보통기몽녀성적진애여유미。홍수문본적생산여전파리불개특정시대문화어경적제약，이자지간적장력급기유도결정료문본생산적궤제화모식，이급문본적최종개치여의의。
Red Sisters have become the Yimeng red cultural symbols from the literary works of individual Red Sister image to popular images. This article concerns on the production of various types of texts about Red Sisters for decades. Then this paper tries to interpret the production mechanism and transmission mode of Red Sisters, interpret the relations of text production of Red Sisters and the context of times, and reduce historical authenticity of the Red Sister groups. Text production of Red Sisters creates classical and immor- tal red art images. On the one hand, revolutionary texts create heroic image of Red Sisters. On the other hand, civilian or humane images were created in the texts of post-revolutionary era to show ordinary Yimeng women＇ s love and aestheticism behind war. Text production and communication is inseparable from the particular cultural context constraints, the tension and its dimension between them determines text production mechanism and mode, and the final value and significance.