文博
文博
문박
RELICS AND MUSEOLOGY
2009年
6期
90-110
,共21页
Catharina Bl(a)nsdorf%Stephanie Pfeffer%Edmund Melzl%Laura Thiemann%Eva H(o)fle
Catharina Bl(a)nsdorf%Stephanie Pfeffer%Edmund Melzl%Laura Thiemann%Eva H(o)fle
Catharina Bl(a)nsdorf%Stephanie Pfeffer%Edmund Melzl%Laura Thiemann%Eva H(o)fle
彩绘%阿富汗巴米扬巨佛%彩绘残片
綵繪%阿富汗巴米颺巨彿%綵繪殘片
채회%아부한파미양거불%채회잔편
Polvchromv%Giant Buddha sculptures in Bamivan%Painted fragments
2001年3月,被塔利班摧毁的位于巴米扬山谷悬崖上的两座巨佛雕像引起了公众的注意.这一爆破不仅成为塔利班疯狂的象征,而且还带来了一个问题,雕像的残迹将怎么办.2004年,国际古遗址理事会计划着手移动佛壁龛的材料,并从而拯救雕塑的碎片.这些碎片不仅包括或大或小的石块,而且还有粘土层,锚梁,木桩和绳索.调查显示,雕像袁面明显是由粘土层组成,部分用钉和布加固,以增加石头和外形布料的强度.最后在表面施以彩绘.对有机添加物进行放射性碳测年可以确定粘土层的起源,从而确定雕像建造时间范围.佛雕像的276颜料残片被带到慕尼黑进行研究.颜料和粘合剂目前正在确定中.本报告说明该雕塑被涂上明亮的色彩并且至少被涂染过两次.这里所涉及的信息是一个正在进行的研究项目的部分.并提供了对现况研究的调查.
2001年3月,被塔利班摧燬的位于巴米颺山穀懸崖上的兩座巨彿彫像引起瞭公衆的註意.這一爆破不僅成為塔利班瘋狂的象徵,而且還帶來瞭一箇問題,彫像的殘跡將怎麽辦.2004年,國際古遺阯理事會計劃著手移動彿壁龕的材料,併從而拯救彫塑的碎片.這些碎片不僅包括或大或小的石塊,而且還有粘土層,錨樑,木樁和繩索.調查顯示,彫像袁麵明顯是由粘土層組成,部分用釘和佈加固,以增加石頭和外形佈料的彊度.最後在錶麵施以綵繪.對有機添加物進行放射性碳測年可以確定粘土層的起源,從而確定彫像建造時間範圍.彿彫像的276顏料殘片被帶到慕尼黑進行研究.顏料和粘閤劑目前正在確定中.本報告說明該彫塑被塗上明亮的色綵併且至少被塗染過兩次.這裏所涉及的信息是一箇正在進行的研究項目的部分.併提供瞭對現況研究的調查.
2001년3월,피탑리반최훼적위우파미양산곡현애상적량좌거불조상인기료공음적주의.저일폭파불부성위탑리반풍광적상정,이차환대래료일개문제,조상적잔적장즘요판.2004년,국제고유지리사회계화착수이동불벽감적재료,병종이증구조소적쇄편.저사쇄편불부포괄혹대혹소적석괴,이차환유점토층,묘량,목장화승색.조사현시,조상원면명현시유점토층조성,부분용정화포가고,이증가석두화외형포료적강도.최후재표면시이채회.대유궤첨가물진행방사성탄측년가이학정점토층적기원,종이학정조상건조시간범위.불조상적276안료잔편피대도모니흑진행연구.안료화점합제목전정재학정중.본보고설명해조소피도상명량적색채병차지소피도염과량차.저리소섭급적신식시일개정재진행적연구항목적부분.병제공료대현황연구적조사.
The two giant Buddha sculptures cut into the rock cliff of the Bamiyan valley attracted public attention when the Taliban destroyed them in March 2001. In 2004, an ICOMOS project was started to remove the material from the Buddha niches and thereby to rescue fragments of the sculptures. These fragments consist of larger or smaller blocks of stone, pieces of clay layers, anchoring beams, wooden pegs, and ropes. 276 painted fragments from the Buddha sculptures have been brought to Munich for investigation. The pigments and the binders are currently being identified. The examinations show that the sculptures had been painted in bright colours and that they were repainted at least twice. The radiocarbon dating of organic additives made it possible to ascertain the origination of the clay layers and thereby the time span in which the statues were probably made. This article gives a survey on the current state of investigations within an ongoing research project.