CAJ | 학술논문

＂六家词＂因王先谦《诗馀偶钞》而得名,湘中六家词有向花间词风回归的趋势,词风柔婉艳冶;又在创作上与常州词派的理论遥相呼应,反映了一定社会内容。同时,六家词在风格上表现出一定的个体差异：或宗北宋,或宗南宋,或南北皆宗,未尽统一。尽管如此,湘中六家词人以其创作实绩促进晚清湖湘词坛的发展,并基本奠定了晚清湖湘词坛的审美倾向。
＂륙가사＂인왕선겸《시여우초》이득명,상중륙가사유향화간사풍회귀적추세,사풍유완염야;우재창작상여상주사파적이론요상호응,반영료일정사회내용。동시,륙가사재풍격상표현출일정적개체차이：혹종북송,혹종남송,혹남북개종,미진통일。진관여차,상중륙가사인이기창작실적촉진만청호상사단적발전,병기본전정료만청호상사단적심미경향。
The ＂six writers＇ci poets＂（Sun Ding-chen,Zhou shou-chang,Li Qia,Wang Kai-yun,Zhang Zu-tong and Du Gui-xi） were named after their co-work.Its soft style presented the tendency back to ＂Hua-jian.＂ It had also been impacted by ＂Changzhou group＂,which added the content of social issues.As a ＂synchronic＂ group,the six ci poets showed their own different characters： some of them learned from the Northern Song Dynasty（960-1127）,others the Southern Song Dynasty（1127-1279）,or both of them.