福建师大福清分校学报
福建師大福清分校學報
복건사대복청분교학보
JOURNAL OF FUQING BRANCH OF FUJIAN NORMAL UNIVERSITY
2011年
4期
38-42,50
,共6页
哈代%爱玛组诗%鬼魂%内心独白%现代性
哈代%愛瑪組詩%鬼魂%內心獨白%現代性
합대%애마조시%귀혼%내심독백%현대성
Hardy%Poems of 1912—1913%ghost%monologue%modernity
哈代以其＂爱玛组诗＂颠覆了英国传统挽歌。鬼魂意象在＂爱玛组诗＂中频现,而其诗歌功能迥异。鬼魂或是哈代直接抒情的对象,或是哈代追忆往昔的载体,抑或是阐释爱玛内心独白的视角。正是鬼魂的意象使得哈代实现了在过去、现在和未来之间的时空穿梭,把爱玛组诗的主题从个性化的爱情推及人类永恒爱情的境界。同时,鬼魂意象是研究哈代诗歌现代性的切入点之一。
哈代以其＂愛瑪組詩＂顛覆瞭英國傳統輓歌。鬼魂意象在＂愛瑪組詩＂中頻現,而其詩歌功能迥異。鬼魂或是哈代直接抒情的對象,或是哈代追憶往昔的載體,抑或是闡釋愛瑪內心獨白的視角。正是鬼魂的意象使得哈代實現瞭在過去、現在和未來之間的時空穿梭,把愛瑪組詩的主題從箇性化的愛情推及人類永恆愛情的境界。同時,鬼魂意象是研究哈代詩歌現代性的切入點之一。
합대이기＂애마조시＂전복료영국전통만가。귀혼의상재＂애마조시＂중빈현,이기시가공능형이。귀혼혹시합대직접서정적대상,혹시합대추억왕석적재체,억혹시천석애마내심독백적시각。정시귀혼적의상사득합대실현료재과거、현재화미래지간적시공천사,파애마조시적주제종개성화적애정추급인류영항애정적경계。동시,귀혼의상시연구합대시가현대성적절입점지일。
Thomas Hardy,with his ＂Poems of 1912—1913＂,transcends the elegiac tradition in British literature.The ghost image occurs frequently in this group of poems and plays variously different poetic functions,including the person to whom Hardy directly sings his elegy,a trigger of Hardy＇s recalling his past with Emma,or a perspective to elucidate Emma＇s monologue from the other world.It is the ghost image that helps Hardy shuttle through the past,the present and the future and crystallizes Hardy＇s individual love into human being＇s eternal emotion.Meanwhile,the ghost image is also a viewpoint of Hardy＇s poetry study on modernity.
