CAJ | 학술논문

莎剧<李尔王>将主人公主观世界的幻灭作为呈现其悲剧命运的明证.李尔在他的王权和生命走向尽头时,失去了曾经构筑他个人世界的一切,先是疯疯癫癫,继而陷入完全的癫狂之中.在这样一个悲惨混乱的"李尔世界"里,他认识到自己的错误,对人生悲苦有了深刻的体验,最终恢复了人的高尚德性.论文剖析了李尔王如何陷入人类困境的过程--老年的专断狂暴,自我的迷失,以及主观想象世界的崩溃,指出在他的疯狂中孕育着从"非人性"到"人性化"的理性的飞跃.
사극<리이왕>장주인공주관세계적환멸작위정현기비극명운적명증.리이재타적왕권화생명주향진두시,실거료증경구축타개인세계적일절,선시풍풍전전,계이함입완전적전광지중.재저양일개비참혼란적"리이세계"리,타인식도자기적착오,대인생비고유료심각적체험,최종회복료인적고상덕성.논문부석료리이왕여하함입인류곤경적과정--노년적전단광폭,자아적미실,이급주관상상세계적붕궤,지출재타적풍광중잉육착종"비인성"도"인성화"적이성적비약.
King Lear presents an exceptionally clear and powerful example of the collapse of the subjective world as a central facet of the tragic hero's experience in Shakespeare.Lear,at the finish of his reign and time,is short of everything that has previously constructed the foundation of his world.When the former world of the tragic hero is destroyed,he plunges into a state of confusion and finally into madness.Despite the powerful degree and duration of his agony,Lear changes.grows and gains wisdom and finally humanity.This article looks into Lear's descent into human plight-wrath in old age,loss of identity and plunge into madness and argues that Lear's madness is not a breakdown in his personality,but a breakthrough into the new humanity.