CAJ | 학술논문

《西江月》在宋属平仄通叶格，关于此调作法，历来多依沈义父，上下片两结句由平声切去押仄声，并以柳永词为正体。对于结句所叶仄声，一直少有人关注，只夏承焘、施议对有所论及。文章在前贤基础上，从四声之别、宫调声情及宋词创作实际等几个方面，对此问题作进一步探究。认为《西江月》一调所叶仄声，以去声为宜；《西江月》一调，应以《词律》所收史达祖词为正体。
《서강월》재송속평측통협격，관우차조작법，력래다의침의부，상하편량결구유평성절거압측성，병이류영사위정체。대우결구소협측성，일직소유인관주，지하승도、시의대유소론급。문장재전현기출상，종사성지별、궁조성정급송사창작실제등궤개방면，대차문제작진일보탐구。인위《서강월》일조소협측성，이거성위의；《서강월》일조，응이《사률》소수사체조사위정체。
Xi Jiang Yue, a verse of Song Dynasty, is formalized according to the oblique and level rhyming patterns. Interpretation of its rhyming ways has always been attributed to Shen Yifu. According to Shen, the last rhymes of the two parts of Xi Jiang Yue should be oblique tones, and the works of Liu Yong set a standard for Xi Jiang Yue. After Shen Yifu＇s study, few people make further discussion about the rhyming cases of Xi Jiang Yue ex- cept Mr Xia Chengtao and Shi Yidui. Based on previous study, this paper makes further investigation from the fol- lowing three aspects, ie, the difference of Four Tones, the voice and sentiment of the Ci pattern, the writing situa- tion in Song Dynasty. In the end, the paper offers two conclusive points about the rhyming ways and models of Xi Jiang Yue.