即色、无心和澄怀味像——宗炳《画山水序》理论来源再议
즉색、무심화징부미상——종병《화산수서》이론래원재의
Emptiness of Mood and Matter and Clarification of Mind to Taste of Image——Re-comment on Theoretical Source of ZONG Bing's "Landscape Painting Preamble"
저자의 최근 논문