CAJ | 학술논문

晚清时期由梁启超等人提倡的“小说界革命”，借助报刊等新的媒体方式，大力推进文学创作、特别是小说创作活动。在这个过程中，有大量的原创小说和翻译小说问世，其中译自日语的小说，特别是科幻小说、侦探小说等通俗文学作品，被认为是传统中国小说中未曾出现的题材，受众极广。受这些新类型小说的影响，科学因素在晚清时期的通俗小说创作和翻译中颇受重视。小说中近代的、科学的要素适应“开启民智”和输入科学知识的潮流，同时可以起到抵抗包括“王权”在内的封建思想的作用，并满足了读者的好奇心理和求知欲，所以科学话语在各种类型的小说中都有所体现。日本作家押川春浪（1876—1914）是晚清时期日文小说的作者之一，本文以他的原作『塔中の怪』与清末著名小说杂志《小说林》总编译所编译的小说《大魔窟》为例，通过立足于文本转换的分析，对其中科学话语的存在方式及特点进行了梳理，力图还原科学话语置身于晚清通俗小说中的真实面貌，同时也对晚清通俗小说的客观生态做一勾画。
만청시기유량계초등인제창적“소설계혁명”，차조보간등신적매체방식，대력추진문학창작、특별시소설창작활동。재저개과정중，유대량적원창소설화번역소설문세，기중역자일어적소설，특별시과환소설、정탐소설등통속문학작품，피인위시전통중국소설중미증출현적제재，수음겁엄。수저사신류형소설적영향，과학인소재만청시기적통속소설창작화번역중파수중시。소설중근대적、과학적요소괄응“개계민지”화수입과학지식적조류，동시가이기도저항포괄“왕권”재내적봉건사상적작용，병만족료독자적호기심리화구지욕，소이과학화어재각충류형적소설중도유소체현。일본작가압천춘랑（1876—1914）시만청시기일문소설적작자지일，본문이타적원작『탑중の괴』여청말저명소설잡지《소설림》총편역소편역적소설《대마굴》위례，통과립족우문본전환적분석，대기중과학화어적존재방식급특점진행료소리，력도환원과학화어치신우만청통속소설중적진실면모，동시야대만청통속소설적객관생태주일구화。
In the late Qing Dynasty, the ＂Fictional Revolution＂ was propelled by Liang Qichao and others, which tremendously promoted the creation of literary works, especially novels, in newspapers and other media. During this period, a considerable number of original novels and translated novels flourished. Among these, novels translated from Japanese＇, particularly in science fiction and detective fiction, were regarded as a brand new genre compared with traditional Chinese novels, and therefore became popular. Influenced by this New Fiction, scientific elements became more highly valued during the creation and translation of popular fiction. This was because the scientific elements corresponded with the contemporary call of ＂Enlightening the Masses＂ and the trend of increasing scientific knowledge. Meanwhile, these scientific elements had effects on resisting the feudalism of ＂Royal Power＂, and fulfilling the curiosity and thirst for knowledge among readers. The Japanese author, Shunro Oshikawa （1876-1914）, was one of the most important original authors in the late Qing Dynasty. This paper takes as an example Shunro＇ s original novel Monsters in Tower and the translation Devil＇s Hole by the chief editor of a famous fiction magazine Fiction Woods. By analyzing the transference between original text and translation text, this paper tries to point out the characteristics of scientific discourse, to capture the objective ecological image of popular novels in the late Qing Dynasty.