CAJ | 학술논문

北派书法作为一种社会文化现象,在初唐仍然具有一定的社会需求,这为盛唐书风巨变提供了由量变到质变的基础.盛唐以颜真卿为代表的书家们用新的审美观自觉或不自觉取法于北派书法,并将其法度化、儒雅化,创造出了恢弘壮美的盛唐书风.在此大背景下,进一步揭示了北派书法同代表"盛唐气象"的"颜体"之间的关系,从而认为:山东及其周边地区的石刻书法是"颜体"形成的最重要来源.
북파서법작위일충사회문화현상,재초당잉연구유일정적사회수구,저위성당서풍거변제공료유량변도질변적기출.성당이안진경위대표적서가문용신적심미관자각혹불자각취법우북파서법,병장기법도화、유아화,창조출료회홍장미적성당서풍.재차대배경하,진일보게시료북파서법동대표"성당기상"적"안체"지간적관계,종이인위:산동급기주변지구적석각서법시"안체"형성적최중요래원.
The North-style Calligraphy, as a kind of social cultural phenomenon, had a certain social need in early Tang Dynasty,which lays the foundation of the change of the calligraphy style in Tang Dynasty from quantity to quality. The calligraphists in Tang were aware or not of learning from the north-style caligraphy represented by Yan Zhenqing with new tastes and created beautiful prosperous Tang's calligraphy style.Under the background, the paper further announces to public the relationship between the north-style calligraphy and Yan Zhenqing' Script. Based on this, the new conclusion is that the most important source of Yan Zhenqing' Script is the sculpture carving calligraphy of Shandong and its peripheral region.