CAJ | 학술논문

当今社会,随着水墨人物画的不断发展,水墨肌理这样一种艺术表现形式,其艺术审美价值不断得到重视。水墨人物画家开始在自己的作品中注重水墨肌理技法的运用,并强调其情感功能的体现,对其认识和研究也更为客观和深入。画家李孝宣立足中国传统笔墨,把新的绘画形式注入笔墨语言当中,形成了一种具有厚重感、层次感的水墨肌理,并充分发挥了其情感功能。
당금사회,수착수묵인물화적불단발전,수묵기리저양일충예술표현형식,기예술심미개치불단득도중시。수묵인물화가개시재자기적작품중주중수묵기리기법적운용,병강조기정감공능적체현,대기인식화연구야경위객관화심입。화가리효선립족중국전통필묵,파신적회화형식주입필묵어언당중,형성료일충구유후중감、층차감적수묵기리,병충분발휘료기정감공능。
Today,with the continuous development of ink figure painting,people have paid more and more attention to the aes-thetic value of ink texture which is a grotesque form of artistic expression.Some Ink figure painters are beginning to try to com-mand the skill of ink texture,and realize the function of ink texture more deeply and objectively through practicing the skill in their works.Based on traditional Chinese ink painter Li Xiaoxuan,the new form of painting into the language in which ink to form a kind of heavy feeling,layered texture of the ink,and give full play to their emotional function.