合肥师范学院学报
閤肥師範學院學報
합비사범학원학보
JOURNAL OF ANHUI INSTITUTE OF EDUCATION
2012年
1期
11-13,26
,共4页
张爱玲%反戏剧化%反高潮%周而复始%参差对照
張愛玲%反戲劇化%反高潮%週而複始%參差對照
장애령%반희극화%반고조%주이복시%삼차대조
ZHANG Ai-ling%anti-dramatic%anti-climax%circular ending%parallel antithesis
周而复始的结尾方式是张爱玲小说创作中惯常的做法，它凝结着张爱玲对传统戏剧手法的发现与超越；参差的对照手法是张爱玲的自我总结，反映在小说的整体情节安排、人物塑造以及主题方面。两种手法都联接着张爱玲的反高潮，是其反高潮手法的形式特征，同时隐含着反戏剧化精神。
週而複始的結尾方式是張愛玲小說創作中慣常的做法，它凝結著張愛玲對傳統戲劇手法的髮現與超越；參差的對照手法是張愛玲的自我總結，反映在小說的整體情節安排、人物塑造以及主題方麵。兩種手法都聯接著張愛玲的反高潮，是其反高潮手法的形式特徵，同時隱含著反戲劇化精神。
주이복시적결미방식시장애령소설창작중관상적주법，타응결착장애령대전통희극수법적발현여초월；삼차적대조수법시장애령적자아총결，반영재소설적정체정절안배、인물소조이급주제방면。량충수법도련접착장애령적반고조，시기반고조수법적형식특정，동시은함착반희극화정신。
Circular ending is the customary way of ZHANG Ai-ling＇s novel creation, which shows her discovery of and transcendence over traditional dramatic method. The parallel antithesis, which is summarized by ZHANG Ai-ling herself, is reflected in the whole plot arrangement, characterization and theme of her novels. These two techniques are well related to ZHANG Ai-ling＇s anti-climax skill, a formal characteristic, and indicate the anti-dramatic spirit in the meantime.
