CAJ | 학술논문

把＂艺术生产＂作为人异化的生产方式来认识只是研究马克思艺术生产理论的一个角度,不能完全解释艺术理论和实践中的困惑,也不利于我国文化产业的发展。对马克思＂艺术生产不平衡＂的判断,不应从艺术和社会条件关系的角度进行理解,而应从如何审美及如何进行艺术创作的角度进行分析。艺术是人把握世界的实践方式,目的是实现人自由的本质,审美某种意义上是对人对象化世界的水平及为对象化所付出努力的反思。艺术的意义是展现人自由自觉的能力,这不仅为审美提供新的视角,也为推动当代文化产业多种所有制共同发展提供了理论依据。
파＂예술생산＂작위인이화적생산방식래인식지시연구마극사예술생산이론적일개각도,불능완전해석예술이론화실천중적곤혹,야불리우아국문화산업적발전。대마극사＂예술생산불평형＂적판단,불응종예술화사회조건관계적각도진행리해,이응종여하심미급여하진행예술창작적각도진행분석。예술시인파악세계적실천방식,목적시실현인자유적본질,심미모충의의상시대인대상화세계적수평급위대상화소부출노력적반사。예술적의의시전현인자유자각적능력,저불부위심미제공신적시각,야위추동당대문화산업다충소유제공동발전제공료이론의거。
Art production,as a way of exploring the production method in human＇s dissimilation,is only a perspective to study Marxist art production theory,which can not entirely explain the confusion in art theory and practice,and can not benefit the development of cultural industry in China either.The judgement on the imbanlance of Marxist art production can not be interpreted from the respect of relationship be-tween art and social condition,but analyzed from how to be aesthetic and how to perform art creation.Art is a practical means to master the world for human,aiming at realizing the nature of freedom.Aesthetic,to a certain degree,is a sort of reflection for the efforts in human＇s recognition of their parts in reforming the world and the recognition itself.The significance of art is to display the competence of freedom and the ability of consciousness,which not only offers a new perspective for aesthetic,but peovides theoretical proof to foster the co-development of the multi-ownership in the contemporary cultural industry as well.