CAJ | 학술논문

　　范迪安先生在《图像生态变迁中的中国艺术》中将当代艺术创作的图像资源形象地称之为“图像生态”，中国当代艺术创作无法回避对图像资源的利用问题，大众视觉图像资源的泛滥，提醒中国当代艺术家们应加强对绘画形式语言的试验与探索，超越“图像”品质，不应放弃“绘画性”的追求，依靠绘画自身的形式语言、造型、色彩等来展现绘画艺术的力量。
　　범적안선생재《도상생태변천중적중국예술》중장당대예술창작적도상자원형상지칭지위“도상생태”，중국당대예술창작무법회피대도상자원적이용문제，대음시각도상자원적범람，제성중국당대예술가문응가강대회화형식어언적시험여탐색，초월“도상”품질，불응방기“회화성”적추구，의고회화자신적형식어언、조형、색채등래전현회화예술적역량。
Mr. Fan Di'an in his Chinese Art in Ecological Changes of Images figuratively regards the image resources in contemporary art creation as"image ecology". Chinese contemporary art cannot avoid the problem on how to use image resources. The overflow of public visual image resources has reminded Chinese contemporary artists of reinforcing the attempt and exploration of painting language and then surpassing the "image" quality. They should not abandon the pursuit of "painterliness", but reveal the power of painting art through its own formal language, modeling, and color of painting.