文化艺术研究
文化藝術研究
문화예술연구
STUDIES IN CULTURE & ART
2013年
3期
85-93
,共9页
戏曲本体%乐文化%传统/现代二元对立%谱系化生存%经典化%现代化
戲麯本體%樂文化%傳統/現代二元對立%譜繫化生存%經典化%現代化
희곡본체%악문화%전통/현대이원대립%보계화생존%경전화%현대화
noumenon of opera%culture of music%“tradition-modernity” binary opposition%routinized existence%canonization%modernization
本文认为，回顾中国戏曲的百年历程，需要在确认中国戏曲乐本体的基础上重新把握中国戏曲悠长的传统；需要在传统/现代的二元格局中理解其一系列的新变；还需要对中国戏曲“谱系化生存”的法则有更多的理解和尊重。在此基础上，现代化和经典化也就成为人们所不得不然的选择，成为20世纪中国戏曲发展的基本路向。
本文認為，迴顧中國戲麯的百年歷程，需要在確認中國戲麯樂本體的基礎上重新把握中國戲麯悠長的傳統；需要在傳統/現代的二元格跼中理解其一繫列的新變；還需要對中國戲麯“譜繫化生存”的法則有更多的理解和尊重。在此基礎上，現代化和經典化也就成為人們所不得不然的選擇，成為20世紀中國戲麯髮展的基本路嚮。
본문인위，회고중국희곡적백년역정，수요재학인중국희곡악본체적기출상중신파악중국희곡유장적전통；수요재전통/현대적이원격국중리해기일계렬적신변；환수요대중국희곡“보계화생존”적법칙유경다적리해화존중。재차기출상，현대화화경전화야취성위인문소불득불연적선택，성위20세기중국희곡발전적기본로향。
In reviewing the course of traditional Chinese opera in the past century ,this paper argues that we need to re-grasp the long tradition of opera based on the acknowledgement of its origin as music in the ancient sense that includes various cultural forms such as poetry ,songs and dances .Moreover ,we need to understand the new changes of it in the “tradition-modernity” dualistic pattern ,giving more under-standing and respect to its routinized rule of existence .On this basis ,modernization and canonization be-come a compelling choice and shapes the course of traditional Chinese opera in the 20th century .
