CAJ | 학술논문

1909年6月至10月连载在《东京朝日新闻》、《大阪朝日新闻》上的《从此以后》，是漱石进入朝日新闻社后创作的第四部作品。作品中的出场人物不仅对新闻记者这一职业表现出极大的兴趣，直至进入报社工作的平冈的出现，都揭示了报纸的巨大意义。作为报纸小说家的漱石，其主要作品多为报纸连载，且作品大都以描写教师、官员、学生形象为主。初次登场的新闻记者平冈非但是主人公，更被设定为道德败坏之人。从中多少能窥探出报纸小说家漱石的意识形态，本文将就《从此以后》中的新闻记者形象做一考察。
1909년6월지10월련재재《동경조일신문》、《대판조일신문》상적《종차이후》，시수석진입조일신문사후창작적제사부작품。작품중적출장인물불부대신문기자저일직업표현출겁대적흥취，직지진입보사공작적평강적출현，도게시료보지적거대의의。작위보지소설가적수석，기주요작품다위보지련재，차작품대도이묘사교사、관원、학생형상위주。초차등장적신문기자평강비단시주인공，경피설정위도덕패배지인。종중다소능규탐출보지소설가수석적의식형태，본문장취《종차이후》중적신문기자형상주일고찰。
AndThenwas serialized in TokyoAsahiNewspaperfrom June to October 1909. It’s the forth work after Natsume Sōseki entered the news agency. The characters in this work show great interest in the profession of journalists. Journalist Hiraoka’s presence, as well as the interest of readers, reveals the great significance of the newspaper. As a newspaper novelist, Sōseki’s works, which mainly described the image of teachers, officials or students, were serialized in the newspaper. However, Hiraoka is portrayed as a depraved person. We can begin to understand Sōseki’s ideology from his works. This paper analyzes the image of journalists depicted in AndThen.