CAJ | 학술논문

本文用筱原一男的三种建筑原空间来讨论他思想的转型：通过抽象，找到了象征的精髓，再转入即物性。如同题记中筱原对本质的关心，以及德勒兹把表达从象征带回直白，从第一样式到第二样式，筱原离开了象征性，从叙事走向了记录，解放了人和建筑的社会意义，而获得了本性和自由。
본문용소원일남적삼충건축원공간래토론타사상적전형：통과추상，조도료상정적정수，재전입즉물성。여동제기중소원대본질적관심，이급덕륵자파표체종상정대회직백，종제일양식도제이양식，소원리개료상정성，종서사주향료기록，해방료인화건축적사회의의，이획득료본성화자유。
The article is about the transformation of Kazuo Shinohara's idea through his three spaces of architecture:from abstraction to the essence of symboli, then to the thing-ness. As his own and Deleuze's preface, from the first to the second stage, Shinohara's style is away from symboli, from narrative to record. It liberates the social significance of human and architecture to reach the nature and freedom.