CAJ | 학술논문

当前对于《琵琶记》的研究，多局限于阶级视野下的研究。这些从单一而且现代性的维度思考，难免将遮蔽其文化价值的内质。本文主要结合文艺心理学的学科知识，站在传统文化的立场上，从阶级意识独断论的缺陷，呼唤“忠孝双全”的价值取向，“文化认同”对人世苦难的担当及“文化人格的建构”四个角度，对“关于《琵琶记》的批判”做另一个角度的批判，并返回到当时的文化创作语境中，从“文化人格”的角度重新对其进行理解和重构，最后达成对《琵琶记》新的理解。
당전대우《비파기》적연구，다국한우계급시야하적연구。저사종단일이차현대성적유도사고，난면장차폐기문화개치적내질。본문주요결합문예심이학적학과지식，참재전통문화적립장상，종계급의식독단론적결함，호환“충효쌍전”적개치취향，“문화인동”대인세고난적담당급“문화인격적건구”사개각도，대“관우《비파기》적비판”주령일개각도적비판，병반회도당시적문화창작어경중，종“문화인격”적각도중신대기진행리해화중구，최후체성대《비파기》신적리해。
The current studies on Pipa Ji are limited by the basic of class viewpoint. There are also many methodologies concerned with love, tragedy and ethics. But in these ways, they will leave out the value of traditional culture to some extents. Thus, this paper is from the standpoint of traditional culture, with the method of psychology of literature and art and comments on PiPa Ji in another perspective, for the purpose of bringing these problems back to the context of temporal cultural creation. Finally reconstruct a specific understanding of Pipa Ji by understanding“cultural personality”.