CAJ | 학술논문

《手稿》是马克思一部研究政治经济学和哲学的著作，其中“异化劳动”和“共产主义”两个部分，包含着马克思丰富而深刻的美学思想，在马克思主义美学史上占有极重要的地位。第一次以生产劳动实践的观点，来阐述美和美感的起源，是马克思主义美学的光辉起点，同时也集中体现了马克思的美学思想。因此，对马克思《手稿》的哲学美学解读具有重要意义。
《수고》시마극사일부연구정치경제학화철학적저작，기중“이화노동”화“공산주의”량개부분，포함착마극사봉부이심각적미학사상，재마극사주의미학사상점유겁중요적지위。제일차이생산노동실천적관점，래천술미화미감적기원，시마극사주의미학적광휘기점，동시야집중체현료마극사적미학사상。인차，대마극사《수고》적철학미학해독구유중요의의。
“The Manuscript on Ecnomics and philosophy in 1844”is a work searching on political and philosophy of Marx,its “alienated labor”and“Communism”including fully and deep idea of aesthetic of Marx,hold an very important position in the history of Marxist aesthetics.On the point of production labor practice stating beauty and sense of beauty in a creative way,is the glary starting of Marxist aesthetics.At the same time,it’s also focusing reflect the aesthetic of Marx.So,it’s very meaningful to unscramble“The Manuscript on Ecnomics and philosophy in 1844”of Marx in philosophy and aesthetic.