CAJ | 학술논문

张大千题材影视剧由于受跨媒介改编以及媒介环境的影响，在文字符号的线性原则转变为视觉媒介的非线性原则以及媒介生态环境失衡方面均不同程度受到制约与削弱。将民族文化优秀的人文资源恰当地转化为与传媒时代相对接的艺术形式，需要从真实性、艺术性以及编导与观众（包括传主亲属）之间的“信任契约”方面进行定位，以延伸视觉媒介塑造张大千形象的内涵意义。
장대천제재영시극유우수과매개개편이급매개배경적영향，재문자부호적선성원칙전변위시각매개적비선성원칙이급매개생태배경실형방면균불동정도수도제약여삭약。장민족문화우수적인문자원흡당지전화위여전매시대상대접적예술형식，수요종진실성、예술성이급편도여관음（포괄전주친속）지간적“신임계약”방면진행정위，이연신시각매개소조장대천형상적내함의의。
Due to the influence of cross media adaptation and imbalances of the media environment , films and TV dra-mas about Zhang Daqian are restricted and weakened in the process of being adapted from letter symbols guided by lin -ear principle into visual media guided by nonlinear principle .To change the excellent cultural and humanistic re-sources into the art forms connected with the era of media , it is necassary to find the balance between reality and art and establish a “trust contract”between the director and the audience ( including their relatives ) to extend the conno-tation of Zhang Daqian ’ s image as delivered by visual media .