CAJ | 학술논문

杜丽娘是明代剧作家汤显祖在《牡丹亭》中成功塑造的女性形象，在她身上寄托了作者的至情理想。强烈的自我意识的觉醒，使深居闺阁中的她冲破了封建伦理的束缚，大胆的去追寻爱和幸福，她成为了中国古代女子与“命运”抗争的先驱和代表。同时，她又是一个矛盾的结合体，人性的舒展和理学的禁锢在她身上交织着。情与理的矛盾冲突，直指封建社会下程朱理学对人性的压抑和摧残。从其人物形象中透露出的对人性和生命的独立的思考，具有普遍的社会意义，立足于当下也有颇多借鉴之处。
두려낭시명대극작가탕현조재《모단정》중성공소조적녀성형상，재저신상기탁료작자적지정이상。강렬적자아의식적각성，사심거규각중적저충파료봉건윤리적속박，대담적거추심애화행복，저성위료중국고대녀자여“명운”항쟁적선구화대표。동시，저우시일개모순적결합체，인성적서전화이학적금고재저신상교직착。정여리적모순충돌，직지봉건사회하정주이학대인성적압억화최잔。종기인물형상중투로출적대인성화생명적독립적사고，구유보편적사회의의，립족우당하야유파다차감지처。
Du is a successfully created woman image , on whom the playwright Tang embodies his emotional ideal , in Peony Pavilion in the Ming Dynasty .The strong self-consciousness makes the secluded boudoir Du break the bond of feudal ethics to pursue love and happiness, which makes her the fighting pioneer and representative of China's ancient women.At the same time, she is also a combination of contradictions , with the strech of humanity and the bond of rationalism intertwined with each other .The conflict be-tween reason and emotion points directly to the oppression and devastation of Neo -Confucianism on human beings in the feudal socie-ty.The independent thinking of humanity and life revealed in the characters has the wide social significance and the enlightenment for the current society .