CAJ | 학술논문

晚明文学思想的变化，在理学向心学的转变中有着集中的理论体现。心学实现了“性即理”向“心即理”的转化，使得“情”摆脱了“理”的检查和束缚，人的性灵也随之得到很大的解放。但是，未经反思的“情”很容易滑向“欲”，文学由“理”与“礼”的载体变成了个体情欲的宣泄，中国传统文化所赋予文学的伦理责任因此受到冲击。
만명문학사상적변화，재이학향심학적전변중유착집중적이론체현。심학실현료“성즉리”향“심즉리”적전화，사득“정”파탈료“리”적검사화속박，인적성령야수지득도흔대적해방。단시，미경반사적“정”흔용역활향“욕”，문학유“리”여“례”적재체변성료개체정욕적선설，중국전통문화소부여문학적윤리책임인차수도충격。
In late Ming Dynasty, while the rise of xin philosophy, the literary view changed. In xin philosophy, the emotion gradually consolidated. And the literature was marked by intensely personal expressions of emotion. This was liberation of man, but emotion without introspection would transform into desire likely. Meanwhile the social responsibility of literature was in decline.