广东外语外贸大学学报
廣東外語外貿大學學報
엄동외어외무대학학보
JOURNAL OF FOREIGN STUDIES
2014年
1期
8-11
,共4页
梁宗岱%梁实秋%象征主义%非诗%本体的诗%散文化%纯诗化
樑宗岱%樑實鞦%象徵主義%非詩%本體的詩%散文化%純詩化
량종대%량실추%상정주의%비시%본체적시%산문화%순시화
Liang Zongdai%Liang Shiqiu%symbolism%non-poem%original poetry%prosification%pure poetics
20世纪30年代,中国新诗坛出现了在当时著名的“二梁之争”。表面上看,梁实秋和梁宗岱的争论是意气之争;但是,在逞才使气的背后,他们的争论是由于各自所秉持的诗歌观念的迥异造成的。“二梁之争”发生在中国新诗从“非诗”走向“本体的诗”、从“散文化”走向“纯诗化”的分歧路口,在中国新诗理论发展史上有其丰富的内涵。
20世紀30年代,中國新詩罈齣現瞭在噹時著名的“二樑之爭”。錶麵上看,樑實鞦和樑宗岱的爭論是意氣之爭;但是,在逞纔使氣的揹後,他們的爭論是由于各自所秉持的詩歌觀唸的迥異造成的。“二樑之爭”髮生在中國新詩從“非詩”走嚮“本體的詩”、從“散文化”走嚮“純詩化”的分歧路口,在中國新詩理論髮展史上有其豐富的內涵。
20세기30년대,중국신시단출현료재당시저명적“이량지쟁”。표면상간,량실추화량종대적쟁론시의기지쟁;단시,재령재사기적배후,타문적쟁론시유우각자소병지적시가관념적형이조성적。“이량지쟁”발생재중국신시종“비시”주향“본체적시”、종“산문화”주향“순시화”적분기로구,재중국신시이론발전사상유기봉부적내함。
The notable controversy between the two Chinese famous modern poets, Liang Shiqiu and Liang Zongdai, appeared in China’s new poetry circle in 1930’s. Apparently, it was an argument for personal feelings. However essentially speaking, the point lied in their divergence in the concept of poetry. The controversy between them centered round the issues of new poetry, including non-poem vs. original poem and prosification vs. pure poetics. This controversy is of much significance for the development of Chinese new poetry theory.