光谱学与光谱分析
光譜學與光譜分析
광보학여광보분석
SPECTROSCOPY AND SPECTRAL ANALYSIS
2013年
11期
3071-3074
,共4页
刘强%万晓霞%刘振%李婵%梁金星
劉彊%萬曉霞%劉振%李嬋%樑金星
류강%만효하%류진%리선%량금성
敦煌壁画颜料%反射光谱%色彩恒常性
敦煌壁畫顏料%反射光譜%色綵恆常性
돈황벽화안료%반사광보%색채항상성
Dunhuang wallpainting pigments%Reflectance spectral%Color constancy
该研究目的为提出一种面向我国各类文物体系的典型色彩光谱样本集构建方法。以具有1700多年历史的世界级佛教艺术文化遗产敦煌莫高窟壁画彩绘为典型研究对象,以保证文物色彩传递过程中的色彩恒常性为主要创新,最终从视觉感知角度提出基于色彩恒常性的敦煌典型色彩光谱样本集构建方法。在具体实施过程中,在敦煌研究院美术所及保护所工作人员的配合与指导下,结合现有敦煌学研究成果,研究选取了48类敦煌典型颜料并设计制备了240个代表性色彩样本。利用分光光度计获取其在360~750 nm范围内反射光谱信息,通过聚类分析法对原始色彩光谱样本集进行分类,以6类典型光源场景条件下色彩易变性指数(color inconstancy index )的综合量值为依据,结合Wilcoxon符号秩检验,确定分类数量及各子类的代表性样本,初步构建光谱样本集。随后,从色域完整性角度对初步建立的样本集进行补充,最终构建由100个样本组成的全色域光谱数据集。分析结果显示,该样本集在99%置信条件下的色彩易变性指数可低至3.28,且均匀分布于敦煌色彩体系的整个色域,因而可以为敦煌色彩再现过程中合理的选用具有高恒常性水平的色彩提供数据参考及方法依据。
該研究目的為提齣一種麵嚮我國各類文物體繫的典型色綵光譜樣本集構建方法。以具有1700多年歷史的世界級彿教藝術文化遺產敦煌莫高窟壁畫綵繪為典型研究對象,以保證文物色綵傳遞過程中的色綵恆常性為主要創新,最終從視覺感知角度提齣基于色綵恆常性的敦煌典型色綵光譜樣本集構建方法。在具體實施過程中,在敦煌研究院美術所及保護所工作人員的配閤與指導下,結閤現有敦煌學研究成果,研究選取瞭48類敦煌典型顏料併設計製備瞭240箇代錶性色綵樣本。利用分光光度計穫取其在360~750 nm範圍內反射光譜信息,通過聚類分析法對原始色綵光譜樣本集進行分類,以6類典型光源場景條件下色綵易變性指數(color inconstancy index )的綜閤量值為依據,結閤Wilcoxon符號秩檢驗,確定分類數量及各子類的代錶性樣本,初步構建光譜樣本集。隨後,從色域完整性角度對初步建立的樣本集進行補充,最終構建由100箇樣本組成的全色域光譜數據集。分析結果顯示,該樣本集在99%置信條件下的色綵易變性指數可低至3.28,且均勻分佈于敦煌色綵體繫的整箇色域,因而可以為敦煌色綵再現過程中閤理的選用具有高恆常性水平的色綵提供數據參攷及方法依據。
해연구목적위제출일충면향아국각류문물체계적전형색채광보양본집구건방법。이구유1700다년역사적세계급불교예술문화유산돈황막고굴벽화채회위전형연구대상,이보증문물색채전체과정중적색채항상성위주요창신,최종종시각감지각도제출기우색채항상성적돈황전형색채광보양본집구건방법。재구체실시과정중,재돈황연구원미술소급보호소공작인원적배합여지도하,결합현유돈황학연구성과,연구선취료48류돈황전형안료병설계제비료240개대표성색채양본。이용분광광도계획취기재360~750 nm범위내반사광보신식,통과취류분석법대원시색채광보양본집진행분류,이6류전형광원장경조건하색채역변성지수(color inconstancy index )적종합량치위의거,결합Wilcoxon부호질검험,학정분류수량급각자류적대표성양본,초보구건광보양본집。수후,종색역완정성각도대초보건립적양본집진행보충,최종구건유100개양본조성적전색역광보수거집。분석결과현시,해양본집재99%치신조건하적색채역변성지수가저지3.28,차균균분포우돈황색채체계적정개색역,인이가이위돈황색채재현과정중합리적선용구유고항상성수평적색채제공수거삼고급방법의거。
The present paper aims at developping a method to reasonably set up the typical spectral color dataset for different kinds of Chinese cultural heritage in color rendering process .The world famous wall paintings dating from more than 1700 years ago in Dunhuang Mogao Grottoes was taken as typical case in this research .In order to maintain the color constancy during the color rendering workflow of Dunhuang culture relics ,a chromatic adaptation based method for developping the spectral dataset of typical colors for those wall paintings was proposed from the view point of human vision perception ability .Under the help and guidance of researchers in the art-research institution and protection-research institution of Dunhuang Academy and according to the existing research achievement of Dunhuang Research in the past years ,48 typical known Dunhuang pigments were chosen and 240 representative color samples were made with reflective spectral ranging from 360 to 750 nm was acquired by a spectrome-ter .In order to find the typical colors of the above mentioned color samples ,the original dataset was devided into several sub-groups by clustering analysis .The grouping number ,together with the most typical samples for each subgroup which made up the firstly built typical color dataset ,was determined by wilcoxon signed rank test according to the color inconstancy index com-prehensively calculated under 6 typical illuminating conditions .Considering the completeness of gamut of Dunhuang wall paint-ings ,8 complementary colors was determined and finally the typical spectral color dataset was built up which contains 100 repre-sentative spectral colors .The analytical calculating results show that the median color inconstancy index of the built dataset in 99% confidence level by wilcoxon signed rank test was 3.28 and the 100 colors are distributing in the whole gamut uniformly , which ensures that this dataset can provide reasonable reference for choosing the color with highest color constancy during the color rendering process of Dunhuang cultural heritage .