衡水学院学报
衡水學院學報
형수학원학보
JOURNAL OF HENGSHUI UNIVERSITY
2014年
3期
102-108
,共7页
歌剧%《原野》%音乐创作%主题%和声%配器
歌劇%《原野》%音樂創作%主題%和聲%配器
가극%《원야》%음악창작%주제%화성%배기
opera%Savage Land%musical creation%theme%harmony%orchestration
著名作曲家金湘1987年创作的歌剧《原野》的音乐创作以人物为出发点,戏剧性呈现为手段,在主题设计、和声及配器等方面都进行了大胆的探索,既汲取了欧洲大歌剧的表现方式,又融入中国传统文化的元素,具有很强的戏剧性、民族性及时代性,深刻揭示了剧中人性的扭曲压抑、爱恨情仇。
著名作麯傢金湘1987年創作的歌劇《原野》的音樂創作以人物為齣髮點,戲劇性呈現為手段,在主題設計、和聲及配器等方麵都進行瞭大膽的探索,既伋取瞭歐洲大歌劇的錶現方式,又融入中國傳統文化的元素,具有很彊的戲劇性、民族性及時代性,深刻揭示瞭劇中人性的扭麯壓抑、愛恨情仇。
저명작곡가금상1987년창작적가극《원야》적음악창작이인물위출발점,희극성정현위수단,재주제설계、화성급배기등방면도진행료대담적탐색,기급취료구주대가극적표현방식,우융입중국전통문화적원소,구유흔강적희극성、민족성급시대성,심각게시료극중인성적뉴곡압억、애한정구。
The opera Savage Land created by the famous composer, Jing Xiang in 1978 is a profound revelation of humanistic contortion, repression, love and hate. With dramatic presentation as its means, it starts with figures and proceeds dauntless exploration in thematic design, harmony and Orchestration. It has not only absorbed the manifestation mode of the grand opera in Europe but also integrated traditional Chinese cultural factors. It shows strong theatricality as well as national and epochal character.