CAJ | 학술논문

残缺美是美学中的重要概念，从美学角度来看，残缺是部分的空白和不在场，有强大的孕育美的生命力。从残缺美的技巧层面、情感层面和艺境层面，可以分析其巧拙相参、悲欣交集、虚实相生的美学特质。在中国传统文学艺术中，残缺之美在笔墨有无间被展现得淋漓尽致，因此我们从艺术领域的具体表现着手，可以进一步发掘残缺的美学意蕴。
잔결미시미학중적중요개념，종미학각도래간，잔결시부분적공백화불재장，유강대적잉육미적생명력。종잔결미적기교층면、정감층면화예경층면，가이분석기교졸상삼、비흔교집、허실상생적미학특질。재중국전통문학예술중，잔결지미재필묵유무간피전현득림리진치，인차아문종예술영역적구체표현착수，가이진일보발굴잔결적미학의온。
From the perspective of aesthetics, incomplete beauty refers to the partial blankness and absence which has powerful vitality of giving birth to beauty. On the skillful, emotional and artistic levels, the aesthetic characteristics of its intermingled ingeniousness and clumsiness, bitterness and delightfulness, deficiency and excess can be analyzed. In traditional Chinese literary arts, the incomplete beauty is incisively and vividly shown. One can gives a further research on its incomplete aesthetic implication through analyzing the specific representation in artistic field.