敦煌研究
敦煌研究
돈황연구
DUNHUANG RESEARCH
2014年
1期
53-61
,共9页
北周%白石龛像%比较研究
北週%白石龕像%比較研究
북주%백석감상%비교연구
Northern Zhou dynasty%White stone statues%Comparative research
1975年出土于西安北草滩的北周白石龛像制作于西魏末至北周初年，这组龛像应是北周时期佛教建筑上的镶嵌艺术品。它在龛像样式、造像特点、艺术风格等方面与同时期西安地区出土的北周造像有很大差异，展现出一种全新的时代风貌，在继承关中、长安地区造像特征的同时，又融合了当时中原及南朝地区佛教造像因素，并对毗邻的天水麦积山石窟北周造像产生了重要影响。
1975年齣土于西安北草灘的北週白石龕像製作于西魏末至北週初年，這組龕像應是北週時期彿教建築上的鑲嵌藝術品。它在龕像樣式、造像特點、藝術風格等方麵與同時期西安地區齣土的北週造像有很大差異，展現齣一種全新的時代風貌，在繼承關中、長安地區造像特徵的同時，又融閤瞭噹時中原及南朝地區彿教造像因素，併對毗鄰的天水麥積山石窟北週造像產生瞭重要影響。
1975년출토우서안북초탄적북주백석감상제작우서위말지북주초년，저조감상응시북주시기불교건축상적양감예술품。타재감상양식、조상특점、예술풍격등방면여동시기서안지구출토적북주조상유흔대차이，전현출일충전신적시대풍모，재계승관중、장안지구조상특정적동시，우융합료당시중원급남조지구불교조상인소，병대비린적천수맥적산석굴북주조상산생료중요영향。
The white stone statues of the Northern Zhou dynasty discovered in Beicaotan, Xi’an in 1975 were engraved between the Western Wei and Northern Zhou dynasties. They were inlaid in the Northern Zhou Buddhist architectural style and differ greatly from the contemporary Northern Zhou images excavated from Xi’an in niche style, iconographic characteristics, and esthetic style. They exhibit a brand new style that not only inherits the iconographic characteristics of Guanzhong and Chang'an regions, but also absorbs iconographic elements from the Central Plains and the Northern Dynasties regions, exerting significant influences on the Northern Zhou images in the adjacent Maijishan Grottoes in Tianshui, Gansu province.
